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Archive for April, 2010

Killing the clown, Wells/LA, ’79

Mary Wells had lured my partner, Bob Pasqualina and I, back to Wells, Rich, Greene to be co-creative directors of the LA office. It was an exciting opportunity, helping to run a fast growing 200-person agency with big accounts like Columbia Pictures, Max Factor and Jack in the Box. But there were problems. Jack in [...]

Spec Dreck, Doyle Dane Bernbach, ’66

When we weren’t building our clients’ businesses, we were building our own creative portfolios.  The writers and art directors in this shot were assembled for a spec ad for a non-existent toy company.  The concept was that we were serious about creating fun toys. We shot our stuff in a little studio on the 24th [...]

My first blackout, Nov. ’65

We were working late at Doyle Dane Bernbach on a VW Bug ad when the lights went out. Not just in the agency or the building. The whole city of New York went pitch black due to a massive power outage. It was shocking and a little scary. But what could have been a disaster [...]

Naked on Fire Island, ’66

It was just one hour by car followed by a half hour ferry ride to a thin sliver of an island where there were no cars, no shoes and few inhibitions.  Fire Island was our weekend escape from the sweltering summer streets of Manhattan.  Riddle:  How many copywriters and art directors did it take to [...]

Hard luck actor, ‘68

Shortly after I got to Wells, Rich, Greene, I became friends with a very talented writer named Harry Gittes.  He often spoke fondly of an actor friend of his from LA. who was a little down on his luck.  Whenever this guy came to New York, Harry was kind enough to let him stay at [...]

Try it, you’ll like it, ’71

People often ask me how Pasqualina and I came up with “I can’t believe I ate the whole thing.”  Actually, that was the second Alka Seltzer TV spot that became famous. The first one featured the line, “Try it, you’ll like it.”  Here’s the back-story on how they both came to be.  My art director [...]

The Rich Kids, Sept. ’67

After only two and a half years in the business, I was lucky enough to get a job as a senior copywriter at Wells, Rich, Greene, the most creative ad agency on the planet.  I was hired on the basis of a decent creative book, but mostly because some great people put in a good [...]

Michelangelo Meets Shecky Greene, ’65

A new sensibility was emerging on Madison Avenue.  The old hard sell was giving way to a fresh new ethnic cleverness.  Italian art directors were the new Michelangelos and Jewish copywriters were the Arthur Millers (with a little Shecky Greene thrown in.) Their heads were filled with dialog they had overheard around the dinner table [...]